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"Eat My Heart Out" is a satirical swipe at twentysomethings in London from a provocative new literary voice. The novel's anti-heroine, Ann-Marie, is 23, heartbroken, and lost.

She then meets feminist icon Stephanie Haight, who exposes her to neo-burlesque strip clubs, naked cleaning jobs and "Woman's Hour". Zoe Pilger's debut is outrageous, honest and angry – a must-read for fans of TV series "Girls". In this exclusive excerpt, we meet Ann-Marie in Clerkenwell as she tries to make a connection with a stranger…...

Chapter 1

The sky was still black when the butchers began unloading the pigs from their vans at Smithfield Market. It was five in the morning. I had been to a party nearby. There he was, loitering across the road. He was watching the meat with terror and awe. His black hair was lank, and, as I approached, I could see that a military medal of some kind was pinned to his beige crochet jumper. He was freakishly tall, about six-foot-seven. He wore a red hat and he was shaking with cold.

Hi," I said. "I'm Ann-Marie. I'm twenty-three. How old are you?" He seemed shocked that I was talking to him. "Thirty-six." "That's a good age." I shoved my hands deeper into my vintage structured tweed and asked him if he wanted to go for a coffee. "Maybe we've got something in common," I suggested. "I doubt it." I adopt loads of pussies from a refuge," I said. "Yeah, and I love to feed the pussies condensed milk in tiny china dishes. I lounge around on my chaise longue in my red silk kimono and I watch their pink tongues lap it up." I paused for effect. "They love to lap it up."  Vic gave me his email address. That was yesterday.

Dear Vic,
It was lovely to meet you!
What are you up to later?
I'll come to where you are.
Ann-Marie X

Today I was waiting at the window on the first floor of a waxing salon across the road from Chalk Farm tube station, where Vic had chosen to meet. The manager had told me that they were nearly closing, but I'd made my eyes look beseeching like a spaniel and the drowned aesthetic must have helped because she let me in. I could hear a pan-pipe rendition of These Boots Are Made For Walkin emitting from a closed door; I could smell the floral notes of wax. I waited. And waited.

To wait is a woman's prerogative, according to Stephanie Haight, whose book Falling Out of Fate had recently been shortlisted for the Samuel Johnson Prize for Non-Fiction. To wait is a woman's raison d'etre. To wait and see what a man will do for you. Do to you. I hadn't bought the book yet because I had no money but I'd heard her speak on Start the Week. Her accent had a twang; I couldn't tell if she was American or English. Waiting for the call, she'd said. Waiting for that fateful ring of the telephone situates woman in a passive position. It is akin to waiting for The Call from God.

November commuters were rushing away from the station in the street below. The rain was torrential; it obscured the stars. There was no one I recognised. The waxing woman was trudging up the stairs behind me when at last I glimpsed that red woolly hat. "Have you seen enough?" she was saying.

I watched Vic cross the road. Now the woman had a hand on my shoulder. She turned me round. "Do you mind if I wait here for just a few moments longer?" I said.

She returned downstairs so that I was alone again with that music, which had changed to My Heart Will Go On. Vic was wearing a red anorak. He didn't smoke a cigarette; he didn't look at his watch. He reminded me of a Giacometti: emaciated by the act of living. I rooted around in my handbag for Heidegger: An Intro and read: Concept of Thrown-ness: One is thrown into the world and one must deal with it. I closed the book. Since I went crazy during my university Finals a few months ago, I could only read these terrible comic-style philosophy manuals, and only one or two sentences at a time.  Now Vic was circling a lamp-post.

A door on the right of the corridor opened and a woman appeared with the blank face of one who has just been tortured. Another woman in a white apron followed her. There was an intense smell of sugar – no, cocoa butter. The blankn woman was about forty-five, but she was saying in a little girl voice: "Thank you ever so much. I do feel so much better now. It's my anniversary." They disappeared without looking at me. Now Vic was holding onto the lamp-post and looking up into its light, letting the rain fall on his face. 

Ten minutes had passed. Soon he would go. Would he go? I watched him reach upwards to the void of sky; he seemed to plead with it. And then he was going, taking long strides with his gloopy, elastic legs, splashing through puddles that reflected cars and red light. He was leaving, he was leaving. The music had stopped.

Eat My Heart Out by Zoe Pilger is published by Serpent's Tail at £11.99 paperback and ebook on 30 January. Follow the author online at www.zoepilger.co.uk and on Twitter @ZoePilger

 

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